11 December 2009

Leslie Marmon Silko

"[In] Ceremony I worked with some of the old stories, for example the Ck'o'yo gambler, Pa'caya'nyi, he was a magician and in the old story he came and he tricked the people into neglecting their care of the corn fields, of their devotion to the corn mother. This magician told them they didn't have to work hard, by magic he could do things. Listen to him, come to him. So, in the story, the people leave their corn fields and neglect the corn mother's altar and they are amazed by this magician. But that is all that it was, all magic. And while the people were enamored by this magician, the corn mother became angered and sad and then she left. And all the animals left and all the plants went away, a great drought came. The people found themselves in a terrible disaster, they had been lured away by this flashy, interesting, fast-talking conman.

So in Ceremony we have in this old story the idea that we human beings are not dependable creatures, we are easily lured from one way or another, we get out of balance and out of harmony with our natural surroundings and also we can get out of harmony with one another. And then it is quite difficult and painful but necessary to make a kind of ceremony to find our way back.

I began to realize that hasn't changed. Human beings can have lessons of things that happened in the past, in history, and say Look, this is what happens. But somehow people sometimes won't pay attention, won't listen and we have to suffer through and have to learn again, remember all over again why it is that we have to have a certain respect or care for hard work and for working with one another. There is no magic that is going to hand things over."